Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Baciccio
The Apotheosis of St Ignatius (mk08)

ID: 21553

Baciccio The Apotheosis of St Ignatius (mk08)
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Baciccio The Apotheosis of St Ignatius (mk08)


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Baciccio

Italian Baroque Era Painter, 1639-1709 Baciccia Giovanni Battista Gaulli   Related Paintings of Baciccio :. | Adoration of the Name of Jesus | The Apotheosis of St Ignatius | The Apotheosis of St Ignatius | Portrait of Cardinal Leopoldo de Medici | Cardinal Leopolado de'Medici |
Related Artists:
A.K.Cabpacob
1830-1897 Russia Artist
Pierre-Nicolas Legrand
(Pont-l'Éveque, 1758 - Bern, 1829) was a French painter. Pupil of Descamps at the ole des Beaux-Arts de Rouen, along with Beljambe and Lequeu, Legrand won a second extraordinary prize in drawing, aged only 15. In 1782, he went to the ole des Beaux-Arts de Paris. Circa 1794, Legrand de Serant departed for Bern, where he produced a variety of drawings for local notabilities and illustrated a novel by Isabelle de Charriere. Legrand de Serant was a member of the Academie de Lille.
Fede Galizia
(1578 - 1630) was an Italian Renaissance painter, a pioneer of the still life genre. Fede Gallizi, better known as Galizia, was born in Milan in 1578. Her father, Nunzio Galizia, also a painter of miniatures, had moved to Milan from Trento. Fede (whose name means "faith") learned to paint from him. By the age of twelve, she was sufficiently accomplished as an artist to be mentioned by Gian Paolo Lomazzo, a painter and art theorist friend of her father, who wrote, "This girl dedicates herself to imitate our most extraordinary art." At a young age, Fede was already an established portrait painter handling many commissioned works. Perhaps it was her father's influence as a miniaturist that led to Fede's attention to detail in her portraits. Her treatment of jewels and clothing made her a very desirable portrait painter. She was often commissioned to paint religious and secular themes as well. Several of her paintings based on the deuterocanonical story of Judith and Holofernes, a popular theme in art of the period, survive in private collections. Perhaps her earliest was Judith and Her Handmaiden painted in 1596 which is now in Sarasota Florida at the Ringling Museum of Art. She also created miniatures and altarpieces for convents.






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